Photo: The Metropolitan Opera |
As with many of our custom projects, we started our design discussion with creating a prototype. We sent two mock-ups (see below) to the Met team for their input. The finished corsets were required to be customized to each individual Met performer's measurements and alterable to their counterpart in Quebec. To accommodate as much flexibility as possible we added another alteration point at the center back to allow 6 inches extra to work with. Ms. Barrett started with our basic c. 1860 Julia Corset shape.
Period Corsets Julia corset with the designer's changes and primary research |
As you can see on the left, the designer wanted more fullness in the bust with added bust gussets. We made two styles; they chose the style which required under-wires. Bust cups! 60 sets of bust measurements! We came up with an elaborate system to accommodate so many varying shapes. That 6 inches of alter-ability plus the lacing in the back came in very handy. No two women's shapes are exactly the same.
photo: Period Corsets mock-ups for The Tempest corset |
photo: Period Corsets |
photo: Period Corsets |
The costumes each had a custom five ruffle petticoat made in ivory taffeta. It seemed like miles of ruffles! The cast wore them in the first half of the perfomance. They were rigged to be easily taken off for a quick change in to the slimmer silhouette in the second half.
Photo: Period Corsets |
Here they are! Our corsets and petticoats are under the lights in performance at the Metropolitan Opera. These production stills are from The Tempest.
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For video click here
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